HIGHVELD
Welcome to the website of The Highveld Press. We’re a small but growing publishing house based in Johannesburg, South Africa.
We specialise in high-quality non-fiction books, with a particular focus on documentary photography as well as history and heritage.
Our titles are available in leading South African bookshops, and can be ordered from Kalahari.net. Should you experience difficulties in sourcing any of our titles, please contact us.
Trade enquiries
Our books are distributed by Blue Weaver. For trade enquiries, please contact Neille Wrigley at (011) 807-4517, 083-419-9991, or e-mail him from our contact page.
Acumen Publishing Solutions
The Highveld Press is an imprint of Acumen Publishing Solutions, a contract publishing house based in Johannesburg, South Africa.
TITLES
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IN SEARCH OF THE WARATAH |
PLATINUM MAN |
THEN & NOW |
MPUMALANGA: AN ILLUSTRATED HISTORY |
Latest
Our latest title, Mpumalanga: An Illustrated History, has been printed and is currently entering selected South African bookshops. It will be formally launched in Johannesburg in April 2009.
Then & Now: Eight South African Photographers
This title accompanies a photographic exhibition which is currently touring South Africa. It was shown in the relaunched PhotoZA Gallery in Rosebank, Johannesburg, in February and early March, and will hang in the UNISA Gallery in Pretoria from Tuesday 31 March until Friday 8 May. The book will be on sale at a special price. It is also available in leading bookshops, and from Kalahari-net. The exhibition is also touring the United States, Europe, and Australia.
Review: Then & Now
Republished late last year, Then and Now (Highveld) highlights the work of eight South African photographers and contrasts their work during the apartheid era with their work in the new democracy. Put together by Paul Weinberg, it is the companion volume to a travelling exhibition. Seven of the eight photographers were associated with the Afrapix collective, which did much to document the upheavals of the 1980s. Many images here are iconic, and that's not just because some of them appeared in The Weekly Mail. The photograph by Paul Weinberg (who also edited the book) of a lone woman raising her fists to two Casspirs feels as though it sums up the whole era.
The eighth photographer in the book is David Goldblatt, who was not an Afrapix member but was indubitably a kind of spiritual father to that generation of South African photographers. The contrasts between "then" and "now" are not necessarily as stark as one might expect; often there is an ironic resonance between the images of the two eras.
It is fascinating, though, to see how these socially engaged photographers have extended their work into the era of democracy.
Read the rest of the review...



